1 00:00:06,220 --> 00:00:07,220 Please. 2 00:00:08,480 --> 00:00:09,480 Thank you. 3 00:00:13,340 --> 00:00:15,820 As I told you, everything is perfect state. 4 00:00:16,440 --> 00:00:18,580 If you want to follow me... Of course. 5 00:00:27,760 --> 00:00:29,380 This is the bedroom. 6 00:00:31,520 --> 00:00:32,640 Please take a seat. 7 00:00:39,560 --> 00:00:41,120 Here, this is the living room. 8 00:00:41,740 --> 00:00:45,940 In this castle he stayed in 1800 the great writer Alexander 9 00:00:45,940 --> 00:00:52,500 Manzoni. Looks like right here has completed his excellent work dei 10 00:00:52,500 --> 00:00:56,980 betrothed. I wish you a good one living room. Here are the keys and I'm waiting for one 11 00:00:56,980 --> 00:00:57,980 your answer. 12 00:00:58,040 --> 00:01:01,720 We'll let you know something next time week. I advise you not to leave 13 00:01:01,720 --> 00:01:05,019 escape buying this castle. On our part there is all the 14 00:01:05,019 --> 00:01:06,020 good will. 15 00:01:06,120 --> 00:01:08,140 Doctor, ma'am. Goodbye. 16 00:02:42,570 --> 00:02:44,470 I'm going to the clinic now, honey, okay? 17 00:02:44,970 --> 00:02:46,970 See you this evening for dinner. 18 00:02:48,750 --> 00:02:50,750 See you later. See you later. 19 00:05:33,450 --> 00:05:37,390 What is transcribed in these pages is not must ever be revealed to the world. 20 00:05:37,570 --> 00:05:39,090 Milan 1870. 21 00:05:39,730 --> 00:05:44,090 Alessandro Manzoni, the betrothed must have a different development. 22 00:05:44,590 --> 00:05:49,750 I will never be able to do something like that. Me I'm a writer and my novel 23 00:05:49,750 --> 00:05:51,490 it remains as I conceived it. 24 00:05:52,730 --> 00:05:55,970 You are not for Italian literature nobody. 25 00:05:56,530 --> 00:05:59,710 Understood? Who allows her to talk to me like this? 26 00:06:00,590 --> 00:06:02,070 Enough talking now. 27 00:06:02,670 --> 00:06:05,290 Grab your pen and make your changes that I will tell you. 28 00:06:06,390 --> 00:06:09,170 The story will take place in the 1600s. 29 00:06:13,530 --> 00:06:20,150 Renzo and his Lucia will have to love each other 30 00:06:20,150 --> 00:06:21,150 intensely. 31 00:06:24,250 --> 00:06:29,170 That priest wanted everything to change narrative outline of my novel. In 32 00:06:29,170 --> 00:06:31,130 origin, in fact, of the betrothed... 33 00:06:31,480 --> 00:06:35,080 It was actually inspired by a story happened in Como in 1850. 34 00:06:35,660 --> 00:06:36,660 Here are the facts. 35 00:06:36,840 --> 00:06:40,980 Don Rodrigo, I wanted to meet you because I learned that Renzo and Lucia 36 00:06:40,980 --> 00:06:45,100 they want to get married. And what do I care it doesn't matter who wants to get married Renzo and 37 00:06:45,100 --> 00:06:47,960 Lucia? I know, but you have to support the opposite. 38 00:06:48,320 --> 00:06:49,920 Don Abbondio needs you. 39 00:06:50,360 --> 00:06:55,220 He made everyone believe that you have sent two bravoes to threaten him. But 40 00:06:55,220 --> 00:06:56,380 why this staging? 41 00:06:56,660 --> 00:06:59,020 Because Don Abbondio doesn't want it to newlywed. 42 00:06:59,640 --> 00:07:04,240 He is in love with Lucia, but he cannot expose yourself personally and you cannot 43 00:07:04,240 --> 00:07:06,080 deny him such a favor. 44 00:07:06,320 --> 00:07:10,260 In reality it was not Don Rodrigo ad prevent the marriage between Renzo and 45 00:07:10,260 --> 00:07:14,740 Lucia, but Don Abbondio himself who had embarked on a love affair 46 00:07:14,740 --> 00:07:16,560 with the beautiful girl Coco. 47 00:07:28,560 --> 00:07:32,120 I'm sure your Renzo doesn't have a cock like mine. 48 00:07:32,460 --> 00:07:34,560 Yes, keep going. 49 00:07:38,540 --> 00:07:45,260 Oh yes, 50 00:07:52,900 --> 00:07:53,900 yes. 51 00:08:16,810 --> 00:08:19,670 What a wonderful mouth. 52 00:08:58,990 --> 00:09:03,110 You have magnificent breasts. 53 00:09:08,650 --> 00:09:12,210 Yes, yes, it was fine. 54 00:09:13,090 --> 00:09:14,770 Keep going. 55 00:09:40,920 --> 00:09:42,760 Oh, yes, like that. 56 00:09:43,200 --> 00:09:47,240 Please, Don Abbondio, do this to me bad. 57 00:09:47,980 --> 00:09:50,820 Your breasts drive me crazy, Lucia. 58 00:09:55,660 --> 00:09:56,660 Oh, 59 00:10:02,500 --> 00:10:03,640 you are delicious. 60 00:10:28,490 --> 00:10:29,490 oh well 61 00:11:28,590 --> 00:11:29,590 Thanks. 62 00:12:01,750 --> 00:12:02,750 Yes! 63 00:12:13,010 --> 00:12:14,410 Yes! 64 00:12:15,670 --> 00:12:17,070 Yes! 65 00:12:57,200 --> 00:12:58,480 That's how it's done. 66 00:14:05,480 --> 00:14:06,480 Thank you. 67 00:16:06,700 --> 00:16:07,700 Thank you. 68 00:16:35,440 --> 00:16:39,780 aware of the murky relationship between Lucia and Don Abbondio had the idea of 69 00:16:39,780 --> 00:16:44,360 bring it back into the novel of the promised newlyweds. But that priest cursed out of fear 70 00:16:44,360 --> 00:16:47,640 to compromise forced me to change the whole... 71 00:17:34,510 --> 00:17:35,510 Yes, ready? 72 00:17:35,930 --> 00:17:38,730 Hello, love, how are you? Oh, good, thanks. 73 00:17:39,210 --> 00:17:44,050 I went up to the attic of the castle and I found some unpublished writings by 74 00:17:44,050 --> 00:17:48,690 great Alessandro Manzoni. I think yes This is an exceptional discovery. Not 75 00:17:48,690 --> 00:17:54,770 rush, we will have to check it out originality. We'll talk about it tonight 76 00:17:54,770 --> 00:17:59,250 anyway, okay? All right? I'll give you a kiss, hello. HI. Who were you talking to at 77 00:17:59,250 --> 00:18:00,250 telephone? 78 00:18:08,730 --> 00:18:12,050 Now you will do what I want. 79 00:18:16,470 --> 00:18:22,810 What a body you have. 80 00:18:26,010 --> 00:18:28,750 I hadn't seen it for more than a century a woman. 81 00:18:29,250 --> 00:18:30,250 Turn around. 82 00:18:35,920 --> 00:18:38,560 These strange underwear were not there ai my times. 83 00:18:40,380 --> 00:18:41,600 Not even this. 84 00:18:42,060 --> 00:18:43,560 Make yourself look better. 85 00:18:50,400 --> 00:18:54,920 How beautiful you are. 86 00:18:55,580 --> 00:18:56,580 Yes. 87 00:19:00,660 --> 00:19:02,900 Show me your breasts. Come on, come on. 88 00:19:04,620 --> 00:19:06,680 I have always loved large breasts. 89 00:19:07,980 --> 00:19:09,120 Pretty! 90 00:19:13,460 --> 00:19:15,580 What a beautiful nipple. 91 00:19:18,460 --> 00:19:21,680 This is really beautiful. 92 00:19:36,590 --> 00:19:38,990 Move this little hand quickly. 93 00:19:39,190 --> 00:19:43,550 Good. You see what we ghosts have any advantages? 94 00:19:45,150 --> 00:19:46,190 Ah, 95 00:19:47,430 --> 00:20:03,510 yes, 96 00:20:03,690 --> 00:20:04,690 like this. 97 00:20:05,260 --> 00:20:11,420 Yes, ah yes, we can do you mortal beings what we want. You are 98 00:20:11,420 --> 00:20:16,160 hypnotized and you will have to obey me without put up resistance. 99 00:20:26,220 --> 00:20:28,740 Good, good. 100 00:20:57,460 --> 00:20:58,860 Yes, like that. 101 00:20:59,240 --> 00:21:00,760 Yes, daughter. 102 00:21:01,120 --> 00:21:02,360 Ah, 103 00:21:04,380 --> 00:21:05,700 your language. 104 00:21:06,020 --> 00:21:07,940 Yes, yes. 105 00:21:08,540 --> 00:21:09,780 Ah, 106 00:21:11,980 --> 00:21:13,220 suck it like this. 107 00:21:14,350 --> 00:21:16,970 Good, good. 108 00:21:19,330 --> 00:21:21,590 You are delicious. 109 00:22:00,900 --> 00:22:03,220 Lick me, lick me like this come on. 110 00:22:03,920 --> 00:22:05,680 Don't stop. 111 00:22:07,180 --> 00:22:08,180 Continues. 112 00:22:24,490 --> 00:22:25,490 How good you are. 113 00:22:34,370 --> 00:22:35,370 Like this. 114 00:22:41,990 --> 00:22:42,990 Like this. 115 00:22:45,030 --> 00:22:48,890 You make me enjoy. 116 00:22:49,450 --> 00:22:51,370 You make me enjoy it like this. 117 00:23:48,840 --> 00:23:49,840 Thank you. 118 00:24:42,610 --> 00:24:43,610 No, 119 00:24:44,370 --> 00:24:45,370 no, no! 120 00:26:21,659 --> 00:26:23,060 No. 121 00:27:22,870 --> 00:27:24,270 Yes. 122 00:27:55,150 --> 00:27:56,390 You were very good. 123 00:27:57,010 --> 00:27:58,790 Even better than my Lucia. 124 00:27:59,130 --> 00:28:01,330 But try not to be too curious. 125 00:28:01,590 --> 00:28:03,590 Understood? Now close your eyes. 126 00:28:03,950 --> 00:28:04,950 Forget everything. 127 00:28:15,290 --> 00:28:20,270 I don't really know what happened to me after that having spoken to you on the phone. 128 00:28:20,890 --> 00:28:27,210 I had a very strange feeling. Mi I'm asleep and when I wake up I don't 129 00:28:27,210 --> 00:28:32,370 I no longer had clothes on. I find it very strange. What do you think? 130 00:28:34,110 --> 00:28:37,330 Love, please, it's not time joke. Then look, I don't even have any 131 00:28:37,330 --> 00:28:39,590 desire. No, listen, seriously. 132 00:28:40,710 --> 00:28:43,530 You'll be a little tired. Maybe it's better that you rest a bit. Hand! 133 00:28:44,030 --> 00:28:48,190 I'm sure it happened today something strange, very strange. 134 00:28:49,390 --> 00:28:50,390 What do you want me to tell you? 135 00:28:50,700 --> 00:28:55,660 I don't believe in ghosts. And then, i characters of the betrothed are 136 00:28:55,660 --> 00:28:57,120 fruit of literary imagination. 137 00:28:57,600 --> 00:29:00,700 Rather, it would be better if it leads to examine those documents you have 138 00:29:00,700 --> 00:29:04,700 found. Maybe we could do a little of money. I have the night shift 139 00:29:04,700 --> 00:29:05,700 now. 140 00:29:07,680 --> 00:29:08,680 Later. 141 00:29:08,700 --> 00:29:09,700 Later. 142 00:29:34,160 --> 00:29:38,980 Make public opinion aware the contents of those manuscripts you have 143 00:29:38,980 --> 00:29:42,620 found. The world will have to know that the Renzo Lucia's story really is 144 00:29:42,620 --> 00:29:44,700 happened. But who are you? 145 00:29:45,100 --> 00:29:46,300 I'm Renzo. 146 00:29:47,160 --> 00:29:50,840 That damned Don Abbondio will have to pay for all the harm he has done to me 147 00:29:50,840 --> 00:29:51,840 done. 148 00:29:52,100 --> 00:29:55,160 Now I'll tell you how I really am things go. 149 00:30:02,960 --> 00:30:07,700 Lucia and I were very much in love and we were supposed to get married. 150 00:30:08,200 --> 00:30:13,480 One day though, knowing mine weakness for women, Don Abbondio 151 00:30:13,480 --> 00:30:17,120 forced his perpetual to have a sexual intercourse with me. 152 00:30:17,700 --> 00:30:23,200 Lucia was notified by him of the meeting and silently spied on everything that 153 00:30:23,200 --> 00:30:25,160 happened between me and that woman. 154 00:30:43,850 --> 00:30:47,690 That pig Don Abbondio had achieved its goal. 155 00:30:47,970 --> 00:30:51,710 Lucia would never have married a man unfaithful. 156 00:31:54,320 --> 00:31:57,340 Lick me. Oh, Renzo, yes. 157 00:31:57,640 --> 00:32:00,180 Yes, let me enjoy. Oh, 158 00:32:01,120 --> 00:32:02,160 lick me all over. 159 00:33:00,360 --> 00:33:01,360 No. 160 00:34:07,320 --> 00:34:08,460 How beautiful that is. 161 00:34:10,159 --> 00:34:11,280 Oh yes. 162 00:34:15,600 --> 00:34:16,600 Yes, stronger. 163 00:34:50,489 --> 00:34:53,270 Yes, yes, yes. 164 00:36:33,100 --> 00:36:34,500 Yes 165 00:36:54,740 --> 00:36:58,120 Yes, Renzo. Yes, Renzo, yes. 166 00:36:58,960 --> 00:36:59,960 Take me. 167 00:37:01,280 --> 00:37:02,680 Make me fall. 168 00:38:19,950 --> 00:38:26,330 Come on, perpetuate Yes, yes Move harder Fuck me Renzo, 169 00:38:26,450 --> 00:38:27,450 fuck me like this 170 00:38:45,100 --> 00:38:46,100 I like it! 171 00:38:49,500 --> 00:38:50,500 Come on, 172 00:38:51,300 --> 00:38:53,000 don't stop! Stronger! 173 00:38:55,320 --> 00:38:56,460 How beautiful! 174 00:39:00,120 --> 00:39:05,360 It's wonderful! 175 00:39:43,799 --> 00:39:48,100 Yes! Yes! Yes! 176 00:39:48,340 --> 00:39:49,500 Yes! Yes! Yes! 177 00:39:54,140 --> 00:39:58,250 Yes! Oh yes! 178 00:40:52,260 --> 00:40:53,178 Yes, yes. 179 00:40:53,180 --> 00:40:54,760 Yes, pussy all over your mouth. 180 00:40:58,520 --> 00:40:59,700 Come on, I know you like it. 181 00:41:04,100 --> 00:41:05,160 I'm coming, I'm coming. 182 00:41:07,620 --> 00:41:13,560 How beautiful. 183 00:41:15,480 --> 00:41:16,480 Yes. 184 00:41:18,140 --> 00:41:19,200 I fill that mouth. 185 00:41:26,480 --> 00:41:27,880 Yes, let them collapse now. 186 00:41:56,490 --> 00:42:01,850 To take revenge for my betrayal, Lucia he indulged in abundance and didn't want it 187 00:42:01,850 --> 00:42:02,850 never see me again. 188 00:42:03,650 --> 00:42:06,630 Destroyed by what happened, I I committed suicide shortly after. 189 00:42:07,090 --> 00:42:11,450 You must reveal to the whole world that i betrothed are nothing more than a 190 00:42:11,450 --> 00:42:12,450 historical falsehood. 191 00:42:13,810 --> 00:42:15,750 Do justice to literature. 192 00:42:36,460 --> 00:42:37,460 I already told you. 193 00:42:38,120 --> 00:42:41,420 Now I have to bring these manuscripts at one point. I wouldn't do it. You have 194 00:42:41,420 --> 00:42:42,259 Understood? 195 00:42:42,260 --> 00:42:47,800 Because I'm afraid of ghosts. You always are the usual idiot. You like to joke 196 00:42:47,800 --> 00:42:49,360 even on such serious topics. 197 00:42:49,840 --> 00:42:53,340 Imagine what revolutions would happen in the world of literature if those 198 00:42:53,340 --> 00:42:57,840 Manzoni's statements were real. But let's not talk nonsense, please. 199 00:42:57,960 --> 00:43:01,460 The Betrothed is a well-known novel around the world and even studied 200 00:43:01,460 --> 00:43:02,460 in Italian schools. 201 00:43:02,730 --> 00:43:03,730 No, 202 00:43:04,050 --> 00:43:08,970 no, it could be a fake. Sara, but I have I'm going to get to the bottom of this one 203 00:43:08,970 --> 00:43:11,670 history. In my opinion it's your time. Have you heard? 204 00:43:11,910 --> 00:43:13,070 Not to be stupid. 205 00:43:15,010 --> 00:43:18,950 You know me well and know who I am a very stubborn woman, but I'm not 206 00:43:18,950 --> 00:43:21,290 a fool. Oh, sure. 207 00:43:21,510 --> 00:43:22,710 Monica, ugh. 208 00:43:22,930 --> 00:43:24,670 It's not this. Maybe you're a little tired. 209 00:43:25,470 --> 00:43:30,050 But she, she doesn't want to listen to me. Oh, guys, we want to stop. It's not done 210 00:43:30,050 --> 00:43:31,490 than to talk about this topic. 211 00:43:33,070 --> 00:43:34,770 I never liked Manzoni. 212 00:43:35,530 --> 00:43:36,950 Sorry, dear, you're right. 213 00:43:37,170 --> 00:43:38,930 But this thing fascinates me a lot. 214 00:43:39,230 --> 00:43:43,190 It didn't even fascinate me when he went to school. My husband always does this 215 00:43:43,190 --> 00:43:47,850 witty. It's better not to listen to it. It is like this. 216 00:43:48,110 --> 00:43:50,390 I think it's time to close this parenthesis. 217 00:43:52,130 --> 00:43:55,890 Listen to me, Valentino. Yes, Valentine, listen. I think it's the real deal. 218 00:43:56,050 --> 00:43:59,810 He whole of having to deal with one stupid and that makes me nervous in a 219 00:43:59,810 --> 00:44:00,810 incredible way. 220 00:44:01,370 --> 00:44:04,630 Then I'm mad at you too, you know. But why do you always have to agree with him? 221 00:44:04,710 --> 00:44:06,010 This doesn't sit well with me at all. 222 00:44:06,510 --> 00:44:10,050 You should try to be more objective in your reasoning. Come on, come on 223 00:44:10,050 --> 00:44:12,810 I always tell the truth. Unglue one look, let's not discuss it anymore. 224 00:44:13,390 --> 00:44:14,790 Closed, finished, stop. Let's do a toast. 225 00:44:15,270 --> 00:44:19,150 I already understood it. Yes, it's better, Let's have a toast, guys. Guys, 226 00:44:19,150 --> 00:44:20,250 sorry. Let's have a toast. 227 00:44:20,530 --> 00:44:23,670 Eh, it's getting late, I'll go and get it Olga and I'll be right back, okay? 228 00:44:23,930 --> 00:44:25,550 You can't live without Olga. 229 00:44:26,710 --> 00:44:29,450 Now all the friends are gathered in the castle. 230 00:44:29,720 --> 00:44:34,940 and the betrayals will be consummated. The Don Abbondio's will was 231 00:44:34,940 --> 00:44:35,940 respected. 232 00:46:44,020 --> 00:46:45,420 Yes. 233 00:48:05,890 --> 00:48:07,890 Yes. Good, like that. 234 00:48:11,130 --> 00:48:12,590 It's a crime. 235 00:48:12,850 --> 00:48:13,970 So it continues. 236 00:49:07,820 --> 00:49:09,620 Do you like my big cock? 237 00:50:32,150 --> 00:50:35,430 Thank you all. 238 00:51:39,810 --> 00:51:42,610 Spannamelo! Spannamelo! 239 00:52:15,940 --> 00:52:16,940 More ass! 240 00:53:04,080 --> 00:53:05,080 Everything inside. 241 00:53:05,560 --> 00:53:06,560 All in the ass. 242 00:53:10,820 --> 00:53:11,820 Come on, fuck me. 243 00:53:12,300 --> 00:53:13,300 Fuck me. Come on, yes. 244 00:53:14,100 --> 00:53:15,360 Wait in the ass. Yes, yes. 245 00:53:16,220 --> 00:53:17,280 Fill it up with your cock. 246 00:53:45,350 --> 00:53:46,750 Thank you. 247 00:54:34,890 --> 00:54:36,290 No! 248 00:55:47,530 --> 00:55:48,530 No. 249 00:56:54,610 --> 00:56:56,050 Yes. Yes. 250 00:57:17,440 --> 00:57:18,840 Thank you 251 00:57:52,400 --> 00:57:53,400 Come on, mocca. 252 00:58:29,710 --> 00:58:30,710 Thank you 253 00:59:32,780 --> 00:59:39,780 what a wonderful cock you have yes that ci 254 00:59:39,780 --> 00:59:40,780 you know how to do it 255 01:00:35,670 --> 01:00:37,070 No! 256 01:01:18,920 --> 01:01:20,120 So, come on. 257 01:01:22,840 --> 01:01:23,980 Keep going. 258 01:01:24,400 --> 01:01:26,940 Don't stop, don't stop. 259 01:02:07,779 --> 01:02:08,779 You're very good. 260 01:02:10,540 --> 01:02:12,660 I've never had a mind like you. 261 01:02:32,580 --> 01:02:33,980 No! 262 01:03:07,180 --> 01:03:08,440 I enjoy it like crazy. 263 01:03:18,640 --> 01:03:19,580 AND 264 01:03:19,580 --> 01:03:28,920 vero. 265 01:04:07,660 --> 01:04:09,220 So so. 266 01:04:47,280 --> 01:04:48,280 Yes. 267 01:05:36,430 --> 01:05:37,430 But what do you do? 268 01:05:37,610 --> 01:05:41,890 Do you want to try to calm down? I want to go away from this place. I will reveal the truth 269 01:05:41,890 --> 01:05:42,930 about the betrothed. 270 01:05:45,530 --> 01:05:46,790 But what happens? 271 01:05:54,570 --> 01:05:56,230 Try to calm down, Monica. 272 01:05:56,450 --> 01:05:57,750 Don't be so nervous. 273 01:05:58,110 --> 01:06:00,290 Close your suitcase and forget everything. 274 01:06:00,870 --> 01:06:02,010 But who are you? 275 01:06:02,890 --> 01:06:04,930 I am Alessandro Manzoni. 276 01:06:05,420 --> 01:06:06,420 As? 277 01:06:06,660 --> 01:06:11,540 Monica, please don't tell the world the existence of my manuscripts. 278 01:06:11,800 --> 01:06:16,540 Ultimately, the novel of the betrothed it was your job. 279 01:06:17,680 --> 01:06:20,980 Do it for me and for literature Italian.